July 5, 2020 —– Chart #45
Hello Musical Friends,
Happy Independence Day weekend. Great time to celebrate with family and of course a great time for music. Today we will be in 1974 with a very time tested band, The Doobie Brothers. “Black Water” is a song recorded by The Doobie Brothers from their 1974 album What Were Once Vices Are Now Habits: the track – which features its composer Patrick Simmons on lead vocals – in mid-March 1975 became the first of the two Doobie Brothers’ #1 hit singles.
Patrick Simmons would recall that he chanced on the basic guitar lick for “Black Water” while at Warner Bros. Recording Studio (NoHo) for the recording sessions for the Doobie Brothers’ 1973 album The Captain and Me: “I was sitting out in the studio waiting between takes and I played that part. All the sudden I heard the talk-back go on and [producer] Ted Templeman says: ‘What is that?’ I said: ‘It’s just a little riff that I came up with that I’ve been tweaking with.’ He goes: ‘I love that. You really should write a song using that riff.’”
Simmons would complete “Black Water” during a subsequent Doobie Brothers’ sojourn in New Orleans; a lifelong aficionado of Delta blues, Simmons had first visited New Orleans for a 1971 Doobie Brothers gig: “When I got down there it was everything I had hoped it would be…The way of life and vibe really connected with me and the roots of my music.” Simmons cites the song’s opening section as “my childhood imaginings of the South from reading Huckleberry Finn and Tom Sawyer” while the lyrics subsequent to the first chorus draw on his actual experience of New Orleans: “going down to the French Quarter as often as possible and going into the clubs and listening to Dixieland”: the lyric ‘Well if it rains, I don’t care/ Don’t make no difference to me/ Just take that street car that’s goin’ uptown’ was jotted down by Simmons while riding through the University District on the St. Charles Streetcar Line en route to the Garden District in Uptown New Orleans to do laundry: “the sun was shining while it was pouring rain the way it does down there sometimes. And the lyrics just came to me there [on the streetcar].”
“Black Water” is distinguished by its melodious a cappella section, whose lyrics are likely the song’s prevalent hook lines: “I’d like to hear some funky Dixieland/ Pretty mama, come and take me by the hand.” These lines are also featured in the Train song, “I Got You” (from Save Me San Francisco) on which Simmons received a co-writing credit. Producer Ted Templeman would say of the a cappella section of “Black Water”: “I stole the idea from my old producer”, referencing his stint as lead singer of sunshine pop act Harpers Bizarre whose 1967 hit rendition of “The 59th Street Bridge Song (Feelin’ Groovy)” had featured a harmonic a cappella section (Harpers Bizarre had been produced by Lenny Waronker). “Black Water” also features a striking viola performance by Ilene “Novi” Novog credited as Novi.
Despite his encouragement in regard to writing “Black Water” and his meticulous arranging of the track, Ted Templeman would recall: “We never thought [of] it as a [potential hit] single” – “I put ‘Black Water’ on [a] B-side because I figured [it was] an acoustic thing.” “Black Water” was in fact utilized as the B-side for the lead single from the Doobie Brothers’ 1974 album release What Were Once Vices Are Now Habits, the A-side being “Another Park, Another Sunday” whose June 1974 Billboard Hot 100 peak would be #32: regular group lead vocalist Tom Johnston who would recall that “Another Park…” “was doing real well [in single release], and then it got yanked off the radio for the line ‘And the radio just seems to bring me down'”. After the second single off What Were Once Vices…: “Eyes of Silver”, was a Top 40 shortfall, Warner Bros. resorted to a re-release of the Doobie Brothers inaugural single “Nobody” a 1971 non-charter which in the autumn of 1974 rose into the Top 60 before being phased out by the re-release of “Black Water” as an A-side single.
How about a live version: https://youtu.be/gV7a22pVrj0
And for you guitar players, here’s some help at how to play this song, which is tuned in double drop D: https://youtu.be/XkUSrq04Yv8
Keep Rockin’,
Stan