April 25, 2020 —– Chart #13

Hello Musical Friends,

Today we have a funny one for you from 1975. The Amazing Rhythm Aces is an American country rock group, which has characterized its music as “American music” or “roots music”—a blend of rock, country, blues, R&B, folk, reggae and Latino. The band is best known for its 1975 hit “Third Rate Romance“. They have released 18 albums over 30 years (a period including a 15-year hiatus). The band’s music is distinguished by its eclectic scope, literate and often quirky lyrics, and distinctive vocals by lead singer and songwriter Russell Smith.

Members of the Aces played in Fatback, a local band in Knoxville, Tennessee, in the late 1960s and early 1970s, consisting of vocalist and guitarist Russell Smith, bassist Jeff “Stick” Davis, drummer Butch McDade (born David Hugh McDade in Clarksdale, Missouri; February 24, 1946 – November 29, 1998), and Fatback’s first lead guitarist Mike Brooks and later Dan Kennedy. The band left Knoxville in the early 1970s.

In 1972, the Aces came together in Memphis, Tennessee, at the recommendation of Barry “Byrd” Burton (born in Greene County, Tennessee; September 7, 1946 – March 10, 2008), who was engineering and producing at the famous Sam Phillips Recording Studio in Memphis. Davis and McDade, who had recorded and toured with singer-songwriter Jesse Winchester as “The Rhythm Aces”, recruited Smith, keyboardist Billy Earheart III, lead guitarist and multi-instrumentalist Burton and pianist James Hooker to develop a sound mixing of pop, country and blue-eyed soul.

Stacked Deck, their debut album, released in 1975, resulted in two crossover (rock and country) hits, “Third Rate Romance” and “Amazing Grace (Used to Be Her Favorite Song),” the group’s lone Top 10 country single. In 1976, “The End Is Not in Sight (The Cowboy Tune),” from the album Too Stuffed to Jump, won a Grammy for Country Vocal Performance by a Group. “Third Rate Romance” reached No. 1 on the Canadian pop/rock charts. These tracks were engineered by Burton, who produced their first three albums.

Burton left the group after the release of Toucan Do It Too in 1977 and was replaced by Duncan Cameron.  In 1978, the Aces released Burning the Ballroom Down, followed the next year by a self-titled album featuring songs with Joan Baez, Tracy Nelson and the Muscle Shoals Horns. Both albums received critical approval but sold poorly. They released another album, How the Hell Do You Spell Rhythum, before disbanding.

Original Studio version (remastered): 

Live on Austin City Limits: 

Keep Rockin’,

Stan